Been reading all my free magazines from NAB Post, thought I share some of the interesting articles I am finding. Film & Video has an article on the sound editing process for Adult Swim, Cartoon Network’s nocturnal block of animation, including Aqua Teen Hunger Force; Harvey Birdman, Attorney at Law; Venture Bros.; Sealab 2021; Robot Chicken and others. The article describes the workflow and even shares secrets for editing comedy: "Reducto is obviously a very paranoid and self-conscious individual obsessed with making things very small, so I wanted to accent that every way possible with his noises," Kohler says. "Every time he moves or spins with his gun drawn, there is a small squeak sound from a library accenting how fast he moves, a very-sharp-tap footstep sound that I’ve compressed, truncated and pitched to give the impression of very quick-moving, small, hard-sole shoes. Lastly, I wanted to emphasize the fact that his weapon was not just a gun, but gear that he wears, and I wanted it to sound somewhat cheap. So I found a small plastic bubble-blowing toy that had the right density to it, and a small screwdriver that I shake, hit, or just move it with to create a junky toy-like rattle every time he motions." Good read, if you like that, check out the magazine in the newsstands. Editing Toon Sounds
Been reading all my free magazines from NAB Post, thought I share some of the interesting articles I am finding. Film & Video has an article on the sound editing process for Adult Swim, Cartoon Network’s nocturnal block of animation, including Aqua Teen Hunger Force; Harvey Birdman, Attorney at Law; Venture Bros.; Sealab 2021; Robot Chicken and others. The article describes the workflow and even shares secrets for editing comedy: "Reducto is obviously a very paranoid and self-conscious individual obsessed with making things very small, so I wanted to accent that every way possible with his noises," Kohler says. "Every time he moves or spins with his gun drawn, there is a small squeak sound from a library accenting how fast he moves, a very-sharp-tap footstep sound that I’ve compressed, truncated and pitched to give the impression of very quick-moving, small, hard-sole shoes. Lastly, I wanted to emphasize the fact that his weapon was not just a gun, but gear that he wears, and I wanted it to sound somewhat cheap. So I found a small plastic bubble-blowing toy that had the right density to it, and a small screwdriver that I shake, hit, or just move it with to create a junky toy-like rattle every time he motions." Good read, if you like that, check out the magazine in the newsstands. 







